Karaiyora Naanalgal / : The Desert Land

The author has brilliantly designed the plot that paramount importance is given to the dissertation of the behavioural perception in the family drama and the contradicting attitude of every member towards others with all their foible, propensity and potency. The Author intentionally avoided meticulous names of characters and places of occurrence of the incidents in the life of the two main characters, Raju and Aravind as far as it could be possible that the mind of the readers not to be stressed with immaterial details. The author has formulated the fiction in such a way as that of poetry writing to avoid burdening the minds of the readers with multitudes of details and within a couple of sentences he is able to tell what he has intended to say. It could be possible for him as the author, being a Poet himself. We could visualise the situation as of witnessing motion picture while reading the descriptive incidents. Whether of showing the love between Aravind and Kavitha and the misfortunes in the family of Aravind and again the love drama and misfortunes of Raju, not even a single word flaunted but at the same time the minute details emphasised, enrich the story and added to the rich personification of the characters. The author has created his characters by bestowing the optimistic perception even in depressing situations.