Kaya

In The Process Of Becoming Nirshabad, Seeking Silence, He (Paramjit Sohal) Goes Through The Shabad. The Joy Of Reaching This Word Is Basically Lyrical, In Which The Secret Of Experience Cannot Be Separated From The Word. In This Experience There Is An Amalgamation With The Nature, The Universe, The Anhad Naad. This Experience And Poetry Is The One Whose Secret Has Been Understood By The Sages And Poets Of The Past From Time Immemorial And Has Made It A Part Of Poetry. In This Empirical Stage, Whether The Poet Speaks Of Words, Whether Of A Relationship, Of Love, Of Friendship, Whether Radha Speaks Or Kahan, Whether The Poet Speaks Of Trees Or Presents Their Images, He Is In A State Of Advaita, Because He Sees Everything In One Unity. As This Eastern Poetic Tradition Goes Back To Antiquity, Its Poetic Style Naturally Contains Sources From Antiquity To The Present. In These Sources Vedas, Myths, Gurmats, Sufis, Other Spiritual Experiences, Produce Unique State Of Poetry. Therefore, Such Poetry Cannot Be Seen In The Confines Of Time And Place Or In Pure Reality. That Is Why This Poetry Takes The Form Of Vird. In This Way His Entire Poetry Is A Part Of The Universe. His Poetry Provides A Distinct Parallel Tone To Contemporary Poetry. (From The Preface To Kaya)