Miami Vice (TV Milestones)

There may be no more iconic image of mid1980s network television than Sonny Crockett and Ricardo Tubbs speeding down Biscayne Boulevard in Crocketts sleek black Ferrari on Miami Vice. With its unprecedented $1.3 millionperepisode budget and executive producer Michael Mann at the helm, Miami Vice brought feature film production values to prime time and redefined the television police drama. In Miami Vice author Steven Sanders argues that the shows themes, narratives, visual realization, and sound design created a new standard of crime television that has its roots in classic film noir and neonoir.In chapter 1 Sanders describes the social, political, and cultural background that led Anthony Yerkovich, creator of Miami Vice, and Mann to use Miami and its beaches not merely as a backdrop but as a character in its own right. Along with the shows visual aspects, Sanders identifies themes of ambiguity, alienation, personal identity, and irony that came to define the distinctive TV noir style of Miami Vice. In chapter 2, Sanders discusses four key episodes to examine the existentialist and postmodern themes that can be found in their story lines and visual style. In chapter 3, Sanders considers questions of authenticity, redemption, and politics in Miami Vice, with reference to episodes that demonstrate the shows attention to the political corruption and intrigue surrounding the war on drugs. In the final chapter, Sanders offers a novel explanation of why Miami Vice matters to film and video scholars.Miami Vices visual and musical appeal, cultural resonance, and topicality made it absorbing entertainment in its own day; Sanders proves that its exploration of social, moral, political, and philosophical issues make it worth watching twentyfive years later. Fans of the show and scholars of television history and American popular culture will appreciate this illuminating look at Miami Vice.