Playing Solo Jazz Piano: A New Approach for Creative Pianists

Playing Solo Jazz Piano is an essential new book for creative jazz pianists.Readers will learn essential solo jazz piano concepts like stride piano, onehanded shell voicings, comping, using basslines, sharedhand voicings, leaving out the bass, and playing ballads. Plus, the book explores modern approaches to solo jazz piano including perpetual motion, counterpoint, and borrowing from classical music. With over 200 musical examples, references to over 100 jazz pianists, and numerous handson exercises, Playing Solo Jazz Piano is the perfect howto for passionate, innovative pianists.[NOTE: 2nd Edition is now available! It includes two new chapters and links for videos for all musical examples. Search Playing Solo Jazz Piano, 2nd Edition] Jeremy has done a remarkable job of organizing the whole history of jazz piano in the book you now hold. It is concise and yet openended simultaneously. All of the important concepts and historical styles are here, and presented in a way that is thorough and that will also stimulate you to investigate, listen, experiment and have fun with the world of solo jazz piano. Fred Hersch, jazz pianist, fifteentime Grammy nomineeJeremy Siskinds book takes solo pianistson a journey from basic concepts to a real musical conversation: between both hands, across jazz tradition, with textures and rhythms, counterpoint and new harmonies. Theres a wealth of musical ideas here: how to efficiently practice, creatively delveinto a song, and musically tell a story. Tamir Hendelman, pianist (Jeff Hamilton Trio, UCLA lecturer, recording artist) Ive been waiting for this book! Jeremy Siskind presents a cogent and stimulating series of techniques and approaches to creative solo piano playing, rooted in the tradition while inviting both students and professionals to find their own voice and musical personality. The material is historically informed, wellorganized, and specific, yet quite openended and fun to read and practice. Early and often, the book provides excellent guidance on how to develop the oftneglected left hand. Finally, the lists of recommended recorded examples from the musics solo piano masters are an invaluable asset. Jason Yeager, Assistant Professor of Piano, Berklee College of Music Playing Solo Jazz Piano is an extraordinarily comprehensive text on a complex subject. Jeremy expertly covers a breadth of techniques and styles while introducing fresh concepts drawn from his own unique artistic experience. This book is an invaluable resource for the beginner and advanced student alike. David Meder, Assistant Professor of Piano, University of North TexasAuthor Jeremy Siskind is the student of Fred Hersch and the teacher of widelyhailed prodigy JustinLee Schultz. A top finisher in several national and international jazz piano competitions, Siskind is a twotime laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Besides a performance career in which he has been praised as a genuine visionary (Indianapolis Star) who seems to defy all boundaries (JazzInk), Siskind is an active teacher, including as a faculty member at Western Michigan University and Fullerton College. The author of over fifteen pedagogical books, Siskind chairs the Creative Track for the National Conference for Keyboard Pedagogy and serves as a regular clinician for Yamaha Music Education. He regularly travels too spread peace through music in places like Lebanon, Cyprus, Thailand, China, India, Colombia, and Tunisia with the organization Jazz Education Abroad.