Raymond Pettibon: Homo Americanus

Published on the occasion of his major European traveling retrospective at the Deichtorhallen Hamburg - Sammlung Falckenberg, Raymond Pettibon: Homo Americanus presents over six hundred works from every part of the artists career, the majority of which have never been shown before. Philosophically profound, deeply literary and biting in his satire, Raymond Pettibon is the foremost draftsman of his generation, and one of Americas most important contemporary artists. Approaching high and low subject matter with equal appetite and comfort, Pettibon plumbs the depths of American sexuality, politics, subcultures, mores, and intellectual histories through themes ranging from Shakespeare to Gumby, surfers to the Bible, baseball to German Romanticism. Arranged thematically in thirty-two chapters, Raymond Pettibon: Homo Americanus charts the appearance and development of the themes that have come to define Pettibons expansive oeuvre. Different sections are introduced with excerpts from interviews conducted with the artist, and are further discussed in a detailed appendix by curator Ulrich Loock. Beyond shedding valuable light on the genesis and cross-pollination of Pettibons thematic interests, this catalogue is the first to tackle the artists work as a whole-as a kind of hive mind of American culture whose various branches constantly address and reinterpret one another. Of particular interest are Pettibons own readings of individual works in the book. In excerpts paired with corresponding images, Pettibon guides readers through his complex, often meandering turns of thought; never condescending, they invite readers to enter more deeply into his thinking without sacrificing the intellectual rigor and sense of mystery that makes Pettibons work so compelling and challenging. The book includes a complete facsimile of his first artists book, Captive Chains-almost entirely unavailable for decades-in addition to numerous early drawings completed with his nephew, record covers, flyers, and sections dedicated to collages and drawings from the 1980s to today. Also featured are biographical notes compiled by Lucas Zwirner, offering a nuanced, insightful reading of Pettibons history, whose early life and work is often simplified and categorically tied to punk rock, and instead underscores the complexities surrounding the artists long-standing relationship with art, literature, and American culture. This unparalleled selection of Pettibons work is the definitive single volume for novices and experts alike.