Sculpting in Time: Tarkovsky The Great Russian Filmaker Discusses His Art

Andrey Tarkovsky, the genius of modern Russian cinemahailed by Ingmar Bergman as the most important director of our timedied an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivans Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovskys films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenthcentury Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary filmsIvans Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvremost fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovskys life, makes the book essential reading for those who already know or who are just discovering his magnificent work.